Médias localisés & mobilités partagées, création & activation dans trois dispositifs artistiques contemporains

Un nombre croissant de dispositifs artistiques, ludiques et fictionnels utilisent comme fondements la mobilité des personnes et leurs interactions par l’intermédiaire d’interfaces numériques. Dans ce contexte, les notions de médias situés et de mobilités partagées constituent deux déterminations essentielles qui sont complémentaires. Trois exemples de pratiques artistiques qui profitent de ces bouleversements très importants dans notre approche de la culture et des médias sont ici présenté

2018: Art & Mobilities Network Inaugural Symposium Instant Journal (Peter Scott Gallery)

"Mobilities has been gaining momentum through networks, conferences, books, special issues, exhibitions and in the practices of artists, writers and curators. In recognition of this activity we are forming an Art & Mobilities network through which to consolidate, celebrate and develop this work.Inspired by the recent foregrounding of Mobility and the Humanities (Pearce & Merriman, 2018) and drawing on last November's successful Mobile Utopia Exhibition amongst others, the Centre for Mobilities Research (CEMORE) at Lancaster University are pleased to hold a UK Art & Mobilities Network Inaugural Symposium 2018 on the 3rd of July 2018. The aim of the symposium is to bring together people in the UK who are active in the field of mobilities and art in order to discuss the distinctive contribution that art makes to mobilities research and vice versa. We would be delighted if you can join us for this one-day event to help shape the network, particularly in the context of a fast-changing world, not just socio-politically but in terms of the place of art in the academy and vice versa. There are nearly 30 key international artists and researchers gathered on this day both locally and via Skype. We invite all participants in the symposium to bring with them an artwork, artefact, written statement or quote that can be displayed as a ‘pop up’ exhibition. These artefacts will be used during the day to focus discussion around different facets of mobilities and art." (Jen Southern, Kai Syng Tan, Emma Rose, Linda O'Keeffe Editors

Fictions et interactions : les fictions artistiques et la question de l’espace

Dans cette courte présentation, je vais esquisser quelques questions sur les rapports possibles entre l’espace et la fiction puis je vais faire un aperçu sur l’évolution de la ligne de recherche Fictions et interactions. Dans la première partie, je vais aborder trois questions : 1) le rapport entre la fiction et l’espace des images, 2) les espaces immersifs et 3) trois exemples d’oeuvres artistiques et performatives qui mettent en jeu les espaces en réalités alternées. RESUMO Nessa curta apresentação, vou esboçar algumas questões sobre as relações possíveis entre o espaço e a ficção, depois farei um panorama da evolução da linha de pesquisa Fictions & Interactions (Ficções & Interações). Na primeira parte abordarei três questões: 1) a relação entre a ficção e a espacialidade das imagens; 2) os espaços imersivos; e 3) três exemplos de obras artísticas e performativas que põem em jogo a noção de espaço em realidades alternadas. PALAVRAS-CHAVE Ficção, espaço, imersão

Collective interactions, collaborative inhibition, and shared spatial knowledge

Research on spatial mental representations focuses on individual mental maps and spatial knowledge. This exploratory study investigates instead collective interactions, collaborative memory, and the sharing of spatial knowledge. Based on the principle of collaborative inhibition (i.e., people recall information less effectively in groups), we posed the following research question: How do collective interactions, occurring during environmental exploration and group drawing sessions, affect collaborative inhibition, and the quality of sketch maps designed collectively? We conducted in situ explorations in Plaine St-Denis (France) with realtime tracking, followed by individual and group drawing sessions. This experiment involved 118 participants divided into three groups: (1) solo explorations without devices; (2) solo explorations with a mobile mapping application; (3) collective explorations using the same application enhanced with interaction features (viewing collective routes and photos of visited places). The comparison of the total number of entities found on individual mental maps with those included in collective sketch maps reveals that collaborative inhibition applies to spatial memory. Additional findings indicate that the use of a map, combined with collective interactions, mitigates collaborative inhibition and increases the accuracy of the sketch maps. However, the effect of such interactions on group dynamics remains unclear as of now

Mídias localizadas e mobilidades compartilhadas, criação e ativação em três dispositivos artísticos contemporâneos

Um número crescente de dispositivos artísticos, lúdicos e ficcionais, utiliza como base a mobilidade das pessoas e suas interações via interfaces computacionais. Neste contexto, as noções de mídia localizada e de mobilidade compartilhada constituem duas finalidades, que são ao mesmo tempo, complementares e essenciais. Neste artigo são apresentados três exemplos de práticas artísticas, que se utilizam dessas noções, propulsionando mudanças significativas nas relações entre cultura e mídia

Proceedings of the 4th IFAC Conference on Intelligent Control and Automation Sciences ICONS 2016

International audienc

Ficções e interações: as ficções artísticas e a questão do espaço

Nessa curta apresentação, vou esboçar algumas questões sobre as relações possíveis entre o espaço e a ficção, depois farei um panorama da evolução da linha de pesquisa Fictions & Interactions (Ficções & Interações). Na primeira parte abordarei três questões: 1) a relação entre a ficção e a espacialidade das imagens; 2) os espaços imersivos; e 3) três exemplos de obras artísticas e performativas que põem em jogo a noção de espaço em realidades alternadas. RÉSUMÉ Dans cette courte présentation, je vais esquisser quelques questions sur les rapports possibles entre l’espace et la fiction puis je vais faire un aperçu sur l’évolution de la ligne de recherche Fictions et interactions. Dans la première partie, je vais aborder trois questions : 1) le rapport entre la fiction et l’espace des images, 2) les espaces immersifs et 3) trois exemples d’œuvres artistiques et performatives qui mettent en jeu les espaces en réalités alternées. MOTS-CLÉS Fiction, espace, immersion